53 pages 1 hour read

Noelle W. Ihli

Gray After Dark

Fiction | Novel | Adult | Published in 2024

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Important Quotes

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Content Warning: This section of the guide references gun violence, physical abuse, sexual abuse, emotional abuse, animal torture, forced confinement, and pregnancy loss.

“I pressed my body tighter against the trunk of the big Douglas fir and listened. The lodgepole pines surrounding the cabin creaked in the chilly breeze, whispering a warning. The underbrush rustled, hinting at creatures seen and unseen. Some hunters. Some prey. Some both.”


(Prologue, Page 9)

The opening passage establishes that Gray After Dark is a survival thriller. Ihli immediately immerses the reader in suspenseful action by beginning the narrative at its climax. The onomatopoeic words “creak” and “rustle” create an ominous effect, echoed in the personification of the trees that are “whispering a warning.” Meanwhile, the motif of predators and prey is introduced, conveying the existence of both wild animals and human predators in the Frank Church Wilderness. The protagonist’s first-person perspective of events intensifies the narrative’s immediacy and atmosphere of jeopardy.

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“I didn’t need to dredge up old memories. What I needed was to reach the podium at the Milano Cortina Olympics in 2026. I had three and a half years to get back on track. Make my body the finely tuned machine it had been before. Make all the pain worth it.”


(Part 1, Chapter 1, Page 15)

Miley’s focus on achieving peak physical fitness in time for the next Olympics conveys key facts about her character. Her determination is highlighted, as well as her resistance to addressing the psychological trauma she has not yet processed. The metaphor of the “finely tuned machine” emphasizes that Miley wants physical precision without emotional baggage, not conceding that her emotional trauma has an impact on her body, too, as she is human and not a machine. The passage underlines the novel’s exploration of The Coexistence of Human Vulnerability and Strength.

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By Noelle W. Ihli

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Noelle W. Ihli
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